EQd Pickup Examples

 

CDs
Music
Acoustic Guitars
Tablature
Gigs
Photos
Links for Guitarists
Contact
Guitar Night
Videos
Books
Odds 'n Ends
Reviews
Articles

Basic Tests Mixed and EQ'd Pickups Technical Notes Links FAQ

The raw recordings on the pickup comparison page are really just a starting point. Even recordings made with good microphones in a professional studio is likely be EQ'd, and would probably also have reverb or other processing added. To demonstrate what you might really do with one of these pickups if you made a recording with them, I've tried to tweak a couple of the examples myself. You might choose a different sound, but the examples below show what I might do. If you have better equipment, better ears, a good mastering engineer, etc, you can most certainly do better. Unlike the raw samples, where I've tried to introduce as little bias as I can, these samples are entirely biased and flavored by own taste and ability (or inability) to EQ and mix. Also, if you want to get a good recording sound, anything's fair game, so in some cases I've done things like create pseudo-stereo effects from mono pickups and so on. All this could theoretically be done live with some amount of rack effects.  I've probably gone a little heavier on reverb than I'd actually like, in attempt to inject some life into the pickup tracks.

These are my latest attempts at processing a few tracks:

Doug Kennedy's pickup demos at www.fingerpick.com inspired me to get a bit more aggressive with my EQing and processing. The following files have a lot of different things done to them, and I'm still experimenting. See what you think, and let me know if you like these or think I've just made a mess :-)

Fingerstyle Taylor 914/PUTW#54
Bourgeois/Trance
Bourgeois/Trance/Sunrise
Hamblin/B-Band A2
Olson/M1
Taylor/Schatten HFN
Tapping Taylor 914/PUTW#54/Sunrise
Bourgeois/Trance
Hamblin/B-Band A2
Olson/M1
Taylor/Schatten HFN
Strumming Taylor/Schatten HFN
More coming...

EQing the Schertler DynG

This pickup/mic clearly has a microphonic sound, but with no EQ, it seems to sound a bit boxy. Here's a couple of steps I took to see how it could sound with some EQ on a Taylor 914. There's no reverb or anything else on these tracks. The EQ'd track simply has some bass boost and a lot of treble boost. The stereo simulation is simply the mono EQ'd track, copied to both sides of a stereo track, with a 10 ms delay added to one side.

  Dry Tracks Boost bass and treble EQ + stereo simulation
Fingerstyle DynG dry Dyn G, EQd Dyn G, EQ + stereo
Tapping DynG dry Dyn G, EQd Dyn G, EQ + stereo
Strumming DynG dry Dyn G, EQd Dyn G, EQ + stereo
       

An earlier attempt:

For the demos below, I did a few basic things, approximately the same on each track, but with settings adjusted to taste. Note that these are the same tracks on the pickups test page, just processed after the fact.

bulletBasic EQ: I made any EQ adjustments I thought the pickups needed. I A/B'd the pickup track and the mic tracks, adjusting the EQ on the pickup track until I thought the pickup track was as close as I could get to the mic sound.
bulletMix down: For stereo pickups, I panned the pickups so the mix wasn't so extreme. Usually, this was putting the left pickup to about 10 o'clock and the right to about 2 o'clock. For mono pickups, I mixed the mono track to stereo, ending up with a stereo track that was identical on both sides.
bulletStereo enhancement: I loaded the 2 track samples into Sound Forge, and normalized the tracks. For the mono pickups, I then added a little high end to one side and added little bass, and cut a little more midrange from the other side. The idea is to create a pseudo-stereo effect by introducing EQ differences. I then processed all tracks with the RGC high frequency stimulator, set to the default "enhance stereo" setting. This freeware plugin is sort of an "exciter" type device that adds some presence and liveliness while improving the stereo effect.
bulletCompression. I added a small amount of overall compression to each track using the WaveHammer Sound Forge plugin. I normally wouldn't do this for acoustic guitar, but it seemed to help smooth out the tapping and strumming examples.
bulletReverb: I then added a some reverb using Acoustic Mirror, a convolution plugin that comes with Sound Forge.

 

Guitar Clip Processed Track
     
Wingert E Fingerstyle PUTW #27
  Tapping PUTW #27
  Strumming PUTW #27
     
Tacoma DM 18 Fingerstyle K&K Trinity, Quantum preamp
  Tapping K&K , Quantum preamp
  Strumming K&K, Quantum preamp
     
Hamblin Fingertyle B-Band A2 AST/UST
  Tapping B-Band A2 AST/UST
  Strumming B-Band A2 AST/UST
     
Bourgeois Fingerstyle PUTW #27 + MiniFlex Mic
  Tapping PUTW #27 + MiniFlex Mic
  Strumming PUTW #27 + MiniFlex Mic
     
Olson SJ Fingerstyle PUTW #54
  Tapping PUTW #54
  Strumming PUTW #54